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Exploring Ry’s Gardens

by with No Comment Working with Demons

I was not sure what today’s experience would be. Before, it was an insistence of GrandMama Tsülie’s energy and an idea of what would happen. This time I really was not sure. In fact, it wasn’t until I appeared in my Desert Oasis astral home that Ry hugged me. I knew we would be doing something, but he was quiet about what that was. Instead, I got a good look at my astral home again and basked in the sun when I stepped out into it. He hugged me from behind and guided me down the ramp to the beach, where we walked over to the entrance of his gardens. I felt his energy shift, and he pulled me into the depths of the gardens. His gardens are more than just a greenhouse of growing plants. He has biomes and small realms within his gardens. His collection is millennia worth growing and cultivating. We appeared next to this large work table that was different from the one before, where it was based on plants and soil, some flowers. This one was covered with glass beakers and, heat sources, extractors. It had so many different surfaces and tools. This was where he made teas, infusions, extracts, and even inks. Everything about deconstructing or combining plants and flowers, this was it.

I wasn’t sure what it was that he wanted to teach, but I enjoyed looking at everything. A hot glass container was about two feet in diameter, and it had this beautiful pink liquid within. Ry reached over, drained a little into a glass for me, and handed it. He explained that it was a simple brew that needed to happen to bring the colors out before he turned it into ink. So it was safe to drink and would help me not only mentally but would ease the tension in my body. It was a flower that, when consumed in hot water, the heat activated a property that releases a property to aid in good mental facilities. Essentially a natural anti-depressant and anti-anxiety that helps divert the thought process into a more positive focus. (which, so far, since drinking, has actually made an impact).

I sat next to the bench for a while, drinking the tea. After a little bit, he had me lie down and rest. It would let the tea do its work. I faded a bit in and out with my thoughts for a while. It wasn’t too long before my focus snapped back into focus, which was much clearer. He welcomed me around and showed me how he made inks for people who ordered from him. They were looking for specialty ones with this mica-like substance that would make them shine. It was beautiful. He stopped after a moment and guided me through his gardens. It was a nice walk, but then I could see the differences between his gardens. The wards and the shields were shimmering, with different biomes within them. So I asked him how he did it.

Ry showed me that if one can make wards and shields that are geared to filtering energies, it is very much possible to make that light and radiation. You can control particular atmospheres of light, radiation, moonlight, and anything else.. even air quality. Inside, he explained there are specialty wards, runic spaces, and tools that he was taught to contain and create a biome. Masters of weather and scholars of environment worked with him to create specialty wards and tools to recreate a realm’s biome for those plants to survive and cultivate. It was incredible and fascinating. This allowed him to create an entire mini realms environment within a small space. From the light source to the weather patterns and how to preserve the soil they naturally grow in. He works with the locals of these areas to cultivate their flora and trees. In fact, he spoke to me of multiple times when a realm became endangered from a special plant that could help with a specific purpose (ie: cures) and he had cultivated them long before there was a disaster. He saved a few realms from their flora extinction when diseases and disasters almost wiped the native flora out. He is known for his collection and cultivation of these biomes. Many times he has scholars and other naturalist people, shamans, and researchers ask for permission to study the cultivation of these plants to learn more or research.

I got to learn so much from him, but it is more along the lines of just learning of his practice and his experience than actual lessons. Although I feel that he wants to teach me more and to really delve into the plant, flowers, trees, and their magic, the spirits within. I had a brief thought about the soul trees of Pandora, from the JC Avatar movie, but he had caught onto that thought and stopped me. There were absolutely places similar to this and the connection of the plants to a larger consciousness. But he explained that there are also plants with consciousnesses beyond what we usually see in the intelligence of spirits of a plant or flower. Instead, these are the intelligence of say, humanoid or even like an Ent from LoTR. There are methods of communication with these, through the electrical impulses that occur within the body, connecting with the electrical impulse within those sentient plants. Communication happens through a neural connection established through that touch. I am sure if I asked, he would be able to take me to see for myself.

Nothing else happened, though it was a rough morning wake-up with a migraine that hurt to hold my head up. So I wasn’t within the astral very long this time. It was meant to help me to see what it was that I really loved to do and to learn. How much I love to explore and hear them speak about their passions. It is no surprise that it is Necrosis demons that are stepping forward because it is the most effortless energy for me to connect deeply with and hear clearly. They can use this time to get me back into experiences and teach me simultaneously.

photo of forest with fog

GrandMama Tsülie’s Lessons on the Magic of Book Binding

by with No Comment PathworkWorking with Demons

This is a place that I have visited before. It is a beautiful place that my High Prince T brought me to. I walked through this incredible forest that was covered with death and bones yet had so much life.

Today, was the second time that I would return here. In fact, this is the first time I have astral traveled to another place in over a year. I had experienced burnout to a severe degree. I did not even have a moment within my own astral space before I was pulled to GrandMama’s place. Although, she found out that I had remembered her as Granny instead of GrandMama, so there was a bit of teasing about that.

It was about 4 in the morning and I had not slept very well. My congestion was really bad, and I was struggling to breathe in my sleep. So I was tired but decided that, hey, this was a great time to astral travel for the Blog-a-Day February. I was immediately pulled in and greeted with a hug and cheek kisses. We sat at her front table and had an excellent talk. I told her about things after the last time I had been there. It was the struggles and the happy times. She was pleased to hear I had fallen in love and found a fantastic partner… for mental health and physical health. At one point, she gave me a cup of tea, specially brewed and crafted. I sipped away and she had amazing advice for me about not returning and feeling guilt for not being spiritual.

It is sometimes that we will diverge from the path we think we have found, taking a longer road, in order to find the right part of the path to travel on.

It gave me a bit of a stopping moment to really consider that. Sometimes, we need that long path, that long rest… because then, coming back into things, I feel clearer and able to work better than before. It will take some time to get back into things as there are problems with focus and with interruptions of thoughts.

We talked for a bit longer before I started to feel extremely drowsy. She shooed me off and told me to come back later and visit, she had a lesson to teach me.

I went about the morning and afternoon before I took the time to return to meditation. It was around 3pm my time, plenty of time before having to do some work. I settled down with headphones and turned on some amazing meditation music composed by Saber. It takes me a bit to get into things. My focus is better but it is also struggling a lot with seeing and staying in the astral without thought interruptions.

I finally appeared in the sacred grove and was met by High Prince T, who guided me back to GrandMama. This time was more vivid than this morning. She asked me how I slept and made a special tea for us. I got to sit there while they talked and drifted a bit before snapping back. She added more stuff to my tea to wake me up. After a while, she held out her hands, and I stood up, following her. It was a workbench that had some supplies on it. I looked harder and realized that she had a bookbinding setup for me. I looked at her confused as to why she had brought me to this.

She explained that I would work on grimoires and binding journals for people. High Prince T had told her as such. With that, I would be working with different materials, especially leather. She had a lesson to teach me about the process of binding. This would be about how the demons work with bookbinding rather than the history of binding from a human perspective.

Creation of Books & Sacredness of Materials

When working with book binding and with animal materials, there is something crucial to remember. Even if modern materials are being used, there is a sacred process that originates from when the practice first began. Each of the materials used in book binding came from nature. Tools were made from the bones of animals, sharpened into needles and points. Later, this became metals mined from the ground and purified to shapes. Thread was made from the sinew of animals that had been hunted, so that the paper could be sewn. Paper was made from either the vellum of animals or it was taken as pulp from various plants and trees, the latter being the most common. Sap was used to bind the animal hide to the hard covers used to bring the entire book together. Every aspect of the book was sacred in nature. It was the life and breath of knowledge that was written within. Each aspect of binding held a magic and sacredness to it. Every movement had purpose to it.

The paper began as the materials of plants broken down into the pulp that would become the paper. Screens were used within the water to gather that pulp. Flowers and plants were used depending upon the purpose of the book being written in. Protection magics and knowledge had flowers and plants that magically were aligned with this knowledge. They were screened and brought out onto fabrics to dry. Once they were dry, the papers were folded to the desired size. This is where they would be brought together to be bound (called signatures). Paper holds ink and that ink is the written form of knowledge. Plants have a sacredness to them that is magical in nature. They can aid in different areas of magic as well as physical. Using them as the base form of containing this knowledge powers them with the intent. When plants are chosen, they are spoken with when they are living. Sitting down and speaking with them, sharing energy and intent on purpose for them. Usually done with a ritual, if they choose to accept, the plant will then be cut for either soaking or dried.

The tools are created from the bones found naturally. It depends upon the one who is doing the creating as the choice of creature or even if they choose to go the route of metal. Both have their own methods of procuring the materials. With bones, they usually are crafted carefully with the intent of sewing or punching the holes in the paper for sewing (an awl). Many choose to go to specialists, especially the Necrosis Bone Masters/Mistresses, who know the sacred handling of bones. Those that decided to use the metals, they go to the Blue Hellborns, who are known for their metalwork. This is not the only route or option, but it is common for those who do not make their own tools.

Both the Leather and the Thread come from animals, those chosen for the purpose. Animals are sacred in their own right, even those that do not hold a level of intelligence, they are still treated as such. All parts of animals are required to be used for any purpose that they can be. This is why they are chosen very carefully and with the knowledge of being used for such intent. In some cultures, being chosen to be this purpose is considered a sacred honor. They are treated the same as the Wagyu cows from Japan. There is utmost care and love given to the animals or creatures that have given their consent for this. Once they have been through a sacred ritual, they are carefully put down with love. Most of them are aged to the oldest they can be and peacefully pass or the creature can choose to go earlier. Each part is made sacred through ritual before they are carried to their designated purpose. For leather or hide, it is given to the one who asked for it first. Some of the sinew is then made into thread to sew with as well. Every part is used so that they have purpose completely and no waste occurs.

This was where GrandMama Tsülie began to work with me. After teaching me all about the beginning process with the materials and the origins, that I would then learn about the binding process. This was from a magical point of view and not the normal binding that I am familiar with.

The Binding Process

The starting process to binding is cutting and gathering the paper that will be used for the book or grimoire. Once it is dried and folded, it can be cut to size or kept the same. Each folded piece is placed together into one another with upwards of 5-6 pieces together. It’s called a signature. These stacked atop each other creates the large block of paper that is then bound together. As we fold the paper and work with it, we speak to the spirit of the plants. We speak of the knowledge and purpose that it has. Thanking them for their sacrifice and their hard work. Pouring the intent into each page as they are worked with. These are the pages that will hold sacred magics and knowledge, meant to last through the centuries and millennia.

Once all of the papers are stacked together as signatures, they are punched with holes in the center parts so that they can be sewn together with ease. Starting with the first signature, one weaves the sinew thread through the paper. The thread is an important part because it ties everything together. It brings a cohesiveness and stability to the paper and therefore the knowledge. The thread is sewn into the paper and giving it a stability in the magics so that it holds it all together. Magic can be fickle, same with knowledge. The thread binds this together and grounds it. There are no loose ends when the papers are bound together. The thread in itself can be a knot magic that is used to imbibe the book as a whole with intentional magics. There are many ways that it can be used to empower the rest of the book. Once sewn together, the thread becomes a part of the spine, which gives it the foundational support. It can be the strength needed to contain any magics used within, cast on it, or written within.

As the binding of the paper has completed, the leather is next with covering the hard covers. Many materials can be used, from thin wood to bark to metal sheets. Materials can vary between those who choose to bind. The leather is glued or sewn to these covers. This can be achieved with sap or other materials that create a sealant – like plants or minerals. The leather is important because it is the outside. It is the shield that protects the knowledge within. It has many purposes, whether it is a plain binding or if it is decorated. The Leather becomes a shields, wards and magic woven into the very fabric through rituals and chants. It can be handled and carved in, creating many methods of protection upon the book.

The entire process of creating a grimoire or a book of knowledge is intense and very complex. Every one that does it will do it in different manners and materials. The one things that stays the same is the sacredness of making the book itself and the sacredness of the materials that are gathered. It is a very intensive process, but it is one that creates the beautifully magical and powerful books that people cherish and adore.

Return Back

I was really pleased to have this experience and to learn such a deep aspect of one of my most beloved forms of art at the moment. It was something that I was not expecting but it made my process that I do with the grimoires even better now. I am very happy that coming back into working with the demons and with the astral in general… that this was my experience. I felt better when I came out of it and just felt such deep peace. I was emotional and upset beforehand, also feeling sick and struggling mentally lately. It’s given me a lot of peace and comfort. I feel like I was able to heal myself as well even just doing so.

View of mountain oasis Chebika, Sahara desert, Tunisia, Africa

Returning Home

by with No Comment Working with Demons

I have not been in my astral home in close to a year. I haven’t posted in almost a year as well.

There’s been such a bad burnout last year. I also began the journey of love. It was both a hard year but also a beautiful one. I fell in love and found a partner that accepts me as I am and everything about me. I still have felt this fear and uncertainty when it comes to my practice. I felt that he was not interested and a part of me took that as meaning that I couldn’t practice in front of him. Despite it also being a part of my job to work with demons. Yet, I felt that I couldn’t show this side of my practice. So I stopped.

I would find that they would do things around me and be a part of my world, but I was shut down and not exploring. I couldn’t bring myself to want to do it either. A mix of feeling unable to and truly being unable to because of burnout. It was not a good combination.

Things kept moving and I finally sat down with him a few weeks ago… and we talked. I spoke of my insecurity and unsureness about practicing because of how it came across when I brought it up. We talked for a long time. I expressed how it made me feel and how I felt like I had to hide it.. and that’s the one thing I didn’t want in my relationship. I wanted to be able to share in the amazing world that is demons even if they do not actively practice.

It was worked out. In fact, I was able to talk to him about how I think the reason part of our friend group fell out is that the exact day I begin working with my demons is the day that their true personalities show and it’s ugly.

Now, two weeks later and feeling that call to return… I think I really want to begin again. Especially exploring. It was my de-stress and my escape. A beautiful journey that led me to places. What really drove home the desire to go back to astral work and my astral home, as well as my demons… is that I saw the new Avatar: The Way of Water movie. The imagery has always been my escape since the first movie. With this movie, I feel the longing of being able to be in places that are like that. So now I feel that pull to return to the astral to explore and grow my astral home with all the discoveries. I feel like it’s time to reconnect with the roots and refind that love of working with demons.

I want to find my Pandora and build it. I want to bring cultures and demons, and all sorts of amazing experiences. There’s so much to see and to learn that I feel the excitement of it all over again.

Akelta, my lovely coven lady from S&S, came up with the idea that we should do a daily blogging in February. So here is my beginning and hello.

I’m back.

photo of forest with fog

Necrosis, Osteomancy, and Language of Bones

by with No Comment BonesOsteomancyWorking with Demons

Osteomancy is one of the biggest parts of my practice. Or Bone Work in general. Osteomancy can be defined as ‘divination with bones’. It’s one of the most interesting methods but it is also one of the most personal divination tools/methods. There’s a lot of history that goes with bone working, especially in regards to Osteomancy. In fact, there are many different forms of Bone Divination. I use Osteomancy rather than Bone Divination because it’s more formal and it is not easily confused with Bone Throwing, which is a different type of divination.

Working with Bones is usually considered to be a more advanced form of energy work, animism, or spiritual working in general. This is because it is purely energy work as well as spirit working. There are a few ways in which to work with bones, though many work with it as a Spirit-Led : working with spirits or with the spirit of the bone itself.

I started working with Bones and building an Osteomacy set a long time ago, it’s been a few years now. Over these years I’ve learned a lot about working with bones in divination. The main thing is that Bones Never Lie. They will “cut to the bone” or dig deep into things that they are reading. Bones have a deep understanding and connection with the deepest of knowledge, the hidden or the unknown.

Necrosis Demons & Bone Work

Working with Necrosis Demons, especially ones that are so heavily leaning into the bone working, has opened my eyes to working with bones. They understand the depth that Bones have far more than I ever would have understood on my own. They work with them as they are, sentient and sacred. To Necrosis demons that work with bones, they are sacred histories carried within. They are also their own spirit.

I began working with my Necrosis Bone Mistress first, Belle. She was the one that taught me so much about Bones and connecting with the set that I have. She brought me the understanding of working with Bones and listening to their histories. It was with her that I learned that Bones can carry more than just messages from Spirits of Animals, but of the Bones themselves. She knew that they were all ones that came to me for reasons, all have a purpose.

it is with Taz that I gain an understanding of the care of bones and how to work with them beyond divination. Where I learn the importance of history and their own desires. Spirits of Bones can be from within the Bone itself or the remnants of the Spirit that was the Bone. He teaches so much about how Sacred the Bone is to life and to working with them. Consecrating and Creating Sacredness of the Bones will create a deeper bond with them than one would just use them.

It is with Ria that I have begun to understand the Language of Bones. It’s beyond a spirit, but the Bone carries its own energetic language. It is the deepest reaches of resonance that is never heard, only understood. With Belle and Taz, they speak the language of Bones but they also work with the spirits and energy. Ria teaches how to speak and listen to the Bones rather than the Spirits. They are one yet they are different.

The Language of Bones

Bones have their own language. It’s not just merely what they represent, but they have a deep energetic language that is low and very slow to speak. To quote from the Lord of the Rings and the Ents:

“It is a lovely language, but it takes a very long time to say anything in it, unless it is worth taking a long time to say, and to listen to.”

The language of the Bones is one that is long learned and takes time. It’s more than just the spirit of the bone, but the history that it carries and the story it has to tell on the way to telling you what exactly and precisely it means to say. To understand the bone, you must first listen to it deeply and understand where it comes from. Only then can you understand where it will take you.

Ria is my Necrosis General, who knows battle and strategy. She wears elaborate outfits and jewelry akin to Queen Amidala from Star Wars… but the interesting aspect is that she has a Bone set of her own. Though her Bone set is very much sentient and it can move and shift, listening when it is merely seen as just a pile. Bone carries messages just as they carry history. They hear more than just the spoken word, but also the unspoken.

When I was walking with my Necrosis demons through the Necrosis Tents, they all ended up at the merchants selling bones or at the Shamans performing sacred rites. Each time we ended up there, all of them were saying the same thing. That Bones know and choose the people they want to work with. They will make a low call out to the person or demon that they want to bond with. They will make their way to them in some form. It can be through the exchange of hands, the searching of the graves or forest or bone yards, or whatever means they know. It is a part of the Language of Bones, knowing where their purpose is even after they have left their original host.

Each time, I was given a bone in some form and told a story of origin. How that Bone came to be in their possession and what it signifies. From there, it will be working with it on a more intimate level of talking and connecting. Something that is much harder to do astrally as there is not a physical form to hold – yet they have sacred spaces that my own Necrosis Demons look after for me to make sure the Bones are happy.

Sacredness of Bones

This is something that Taz wanted me to cover. The Sacredness that Bones carry. They hold so much history and energy, spirit and messenger, that they are handled very delicately. Taz is a Shaman of Sacred Bone Rites. He speaks of how all bones are different and from different histories will also account for their handling of them. Some Bones work better with simple rituals to awaken and christen them.

Some of the Bones wish to have more done with them, a more active interest. There have been bones brought into their work that have been turned into pieces of art. Carved and painted, they become the very space in which Bone Rites and Rituals are performed. They hold a language of their own, but they also hold individual power that can be used in many forms. Not just divination. It can be used to communicate or consecrate.

It is all upon the Bones speaking and Wishing for their purpose to be known. Some wish to be Divination, speaking Truth. Some wish to be Art, beauty beyond measure. Some wish to be Use, worked with crafted hands to bring Space and Sacredness. There are so many ways that they can manifest and find their own small place in the worlds.

It is not merely working and speaking with Bones that gets you a divinatory set or a sacred piece. It is in fact the handling and treatment, the consecration. Many perform what the Norse and many other cultures have called Blooding, or bleeding on the bones to power them. It connects you to the Bones in a deep way that only blood can achieve.

Others carve symbols and signs upon the bones to connect them together, to give them meaning and protection. Carving can be incredibly delicate and precious as the Bone can be fragile and easy to break. It takes a deft hand and one that has great care for its movements. Everything is precise and never hesitating.

Working with Bones, Language, and Divination

One of my goals for this thread is to explore the world of Bone Working and all that entailed. This includes working with the Bones that I have on the astral as well as with the demons that teach me things. I really want to delve deep within this and better understand how to handle them and care for them, bring them purpose and listen to their wishes and desires, to pass on messages and whisper to them. It’s amazing what Necrosis Demons have to offer for this and they truly wish to share it with me. In fact, it is the Necrosis that first whispered to me about Bone Grimoires. Teaching me the way of Bones, the Languages of them, and to Care for their Sacredness. Taz in particular wants to teach me methods of rites and rituals for Bones.

I look forward to getting deeper into this topic, enough to where I feel comfortable enough to finish writing my Osteomancy book.

close up photo of notebook with pen

The Importance of Record Keeping

by with No Comment Informational

This is a deeply passionate topic that not only is something I find extremely valuable but so do a few of my demons. In fact, they are the ones that are stressing that I speak about this topic. I find that so many stress the importance of foundations to those that are starting out on their path. This is a wonderful thing to talk about consistently. Except that I find that one thing is missing when people talk of foundations of spiritual growth. Record Keeping. I cannot express the amount of disappointment that I see that people don’t speak about this topic more often. In fact, I tend to get laughed at a fair few times when I have broached the topic. Now, I get to laugh. You may be asking why.

I have records dating back to when I was first starting out more than a decade ago. Things that I have long forgotten. Things that seemed insignificant then. Yet… I am now the one to laugh because I have over a decade of writings, channelings, astral experiences, and even conjuring. All of it was recorded down in some fashion. There are years where there are gaps but I still have them. Some things I wish would disappear because they were horrible times, but I still have them. The thing is… we all learn from our History, our Path. The Path that we have walked and will walk.

I speak of record keeping because I find that it is one of the top things that are foundational to my own practice but yet find that so many do not. It’s their choice and I respect that! Absolutely do what fits your path best. Yet, I have heard over the years of people complaining and upset that they do not feel like they have grown or changed or that they don’t have experiences anymore. This is where they are wrong. Most people don’t realize that it’s not that it has stopped… it’s changed. A lot of spiritual growth is gradual and not able to be measured as easily as saying ‘Oh yes, I was doing this thing last week and now I have another experience that’s out of this world’. It’s more along the lines of receiving small messages each day or every few days. It’s seeing something or hearing something and then a few days later something else correlates with that.

But most don’t keep track of their experiences, no matter how small. Most do not journal or blog or keep any sort of frequent records. Because of this, they do not see their gradual growth and experiences change. Instead, it’s different and they feel like they don’t have anything to experience anymore.

This is why I stress that one of the most important foundational things is to keep diligent or frequent records. Even if you go into a daily journal on your phone or notebook to write, ‘I think I felt this today’. That right there will show you three months down the line how you’ve grown. Why? because the more you look at your growth, you’ll see that you are actually improving. The more growth you have and you record, the more you’ll see that progress. Going from a ‘maybe something’ to ‘I saw this today and I got a large sense of this companion telling me a message’. That’s huge growth there! A massive one. Yet, this is missed because of not logging those small things.

I have over a decade of journals that have information. Have I skipped years? Yes. That’s normal. We have our Fallow Periods, or Lulls, or Burnouts. This happens to all that work in spiritual practices. I have some journals that skip from 2013 to 2016 because I stopped or because it was in a different journal. I have records of when I was blogging instead of writing physically. I keep two records of those in case one is lost. I moved onto a website of my experiences and information, as well as writing within my personal blog on S&S. These are all different forms of record keeping. I can go back to the formative years of developing my gifts and see the shifts and changes. I can see what mistakes I made and how I fixed them. That’s what is important. I can see the Shadow work I’ve done over the years or I can even read the origin of where a Shadow or Trauma came from. Because I’ve kept detailed records.

This is something that may seem tedious and spoon-eating. I understand that greatly. Find something that works for you. Maybe speech to text on a journal app? Maybe typing out things on the computer or on a blog, even if it’s private. Maybe handwriting is your comfort. The thing is that keeping records allows you to go back years later and see how you’ve changed. How you’ve grown and where your Path has moved through the years. That’s super important to seeing your own patterns of growth or even predicting when a Fallow Period hits if there is a clear pattern.

That’s how I know that the Winter time frame each year is the hardest for me because I shut down to rest. I do my best work during the Spring and Summer seasons because it’s energetically better for me.

Ways to Record Keep

There are so many ways that you can keep records, it’s going to be a lot to list them all. What I will do is make some suggestions of different ways that you can do so, though I will make sure to keep them to options that are either free or low-budget.

–Journaling in Notebooks
–Writing using Grimoires
–Typing on Blog
–Typing in Word/Google Docs
–Type in Word/GDocs and Print out – binder or paste in sketchbooks
–Blog/Journal in Notion (free for personal use)
–Use OneNote- ($ may cost)
–Blog on WordPress (free)
–Write in free journal apps or notes on phone/tablet
–Use Voice Notes or Voice recordings
–Make a private Discord Server (free) – use it as a blog/journal or even BOS or Grimoire
–Make a special email just for experiences and email yourself
–Use Social Media : Facebook, Instagram, or TikTok and talk of your experiences
———(For all that is holy avoid twitter and tumblr, they’re super toxic – unless you make them private)
–Make/Buy (Etsy) PDFs of journals and use on tablet for writing ($ Goodnotes)

I’ve used Scrivener ($) as well but that’s more expensive than most want to pay and to be honest, Notion is 1000x better with recording. You can do so much with that. Make sure to check YouTube videos on how to use it since it doesn’t come with a How-To.

The point is that there are so many options for you to use you can. And the best is that you can go from one to the other and back. You do not have to stick to one thing all the time. You use what works best for you and your practice. I’ve gone months without using one but sticking to another and then switching. Sometimes I take things from one and add them to another when I switch.

It doesn’t have to be anything tedious, it doesn’t have to be this big scary thing. You write what works for you. Some days or weeks or months you won’t. But that’s okay. The thing is that you get yourself into the habit of updating when you can and it’ll make a difference even two or three months down the line, let alone imagine years or decades later.

photo of forest with fog

Whispers of the Necrosis

by with No Comment BonesCrystalsPlantsWorking with Demons

It’s not a surprise that I would create something that is revolving around the Necrosis Demons. Truly. It was more of a surprise to start a post on Mutilation demons before Necrosis. Although, I do have Ry and Dro’s sections that are focusing on their specific things with Necrosis. Ry focuses on Plants and Crystals and Dro is Alchemical and Shamanic. All of these are very big with the working of Necrosis demons as well as a few other areas.

I decided that it would be best to put them all into one thread. One thread to rule them all (is totally not watching Lord of the Rings while writing this). I wanted to have a Necrosis post for a while, mainly because I have multiple demons that do Osteo-path working things. I wanted to have a bone post. Gotta a bone to pick? Anyway. They all decided upon seeing how the Mutilation post was working that they would like to also have their own encompassing blog.

There are going to be more parts to this rather than individuals. I think the best way of going about talking about the Necrosis is to break it down into the sections and types of areas that Necrosis deals with rather than the individuals that practice it. The Necrosis Demons:

They also have an understanding of Voudou, earth energies and mastering the dark elements. They delve into the primordial senses. They work with Herbs and Crystals and make use of powerful death energies and have great knowledge of Necromancy and working with corpses and death.

Satan & Sons Encyclopedia – Necrosis Demons

There’s more to the Necrosis Demons than that, which you can learn more about them from the Tea Chat Notes (thank you lovely Windyjune) Things that I want to work within here (starting out), are things that my own companions are working with or are masters at. I think the best way is to talk about the subjects themselves and speak of the concepts that will be worked with, so here are the individuals that I will be working with and the topics that they understand and teach.

Ry – Serpentine Surgeon & Necrosis Shaman

  • Plants & Herbs
  • Spirit of Plants
  • Shamanism
  • Crystals & Spirit of Crystals
  • Poisons & Enchanted Ink

Belle – Necrosis Bone Mistress

  • Osteomancy & Bone Divination
  • Bone Caretaking
  • Creation of Bone Divination Sets
  • Working with Spirits of Bones & Animals

Taz – Necrosis Shaman of Sacred Bone Rites

  • Concecration of Bones
  • Rituals & Rites with Bones
  • Communication with Bones
  • Demonic & Dark Shamanism
  • Shamanic Crossroads
  • Ancestral Veneration & Communication

Dro – Necrosis/Chaos/Desire Alchemist of Black Earth

  • Black Elements
  • Alchemy
  • Demonic & Dark Shamanism

Ria – Necrosis General

  • Black Elements
  • Communication with Bones & Sentience
  • Enchanting
  • Plants & Aromatherapy

Tal – Necrosis King & Void Lord of Temple V

  • Realms & Portals
  • Ancient Cultures & Studying Cultures
  • Darkness of Soul & Void
  • Records & Grimoires
  • Sacredness of Soil & Earth

Necrosis is one of the more complex in regards to the areas that they work in. Although, one could say that for anything really. For me, I see it as complex and very layered because there are so many facets that the Necrosis explores. It’s not just about the death and decay, but the after and what’s left behind too. Many the Necrosis work with what comes from the soil, from death and decay, and from the deep depths of the elements. It’s complex but in such a beautiful way.

Most of the demons that I work with are Shamanic in their workings. This is not a surprise as that has been my path for a very long time. It’s the same with bones, spirits of plants, and crystals. They are the pinnacle of the workings that I do. Although there are still things that I am learning, bones are one of the top things that are in my practice.

In these future posts I really want to delve deep into topics around Necrosis and learn from them. I know that it has been about a year or two that Belle has been poking at me to create a Osteo-Grimoire. I also know that Ry has been gunning for me to make one of plants and crystals too. Of course Tal loves all forms of studying and learning. I am sure that my Serpentine Magi of Sacred Knnowledge, Arvan, will also make appearances due to his love of making grimoires and record-keeping knowledge.

Closeup photo shoot of tattoo making, artist is working with tattoo machine on customer's hand.

Art and Beauty of Mutilation and Demons (Pt 2)

by with No Comment Working with Demons

Meeting Surgentsa

It was the 2020 Carnivàle that things changed and I stepped into the Funhouse and Dollhouse. I braved the step and went to experience the Mutilation energies. It was disgusting and gross the first time. I about puked. Until I got to Dr. Sechah. Part of the Meditation is that I got to receive a flesh creature of my own. Originally, none drew my attention so I focused on the room. That’s when I saw Surgentsa, withered and old-looking on the outside. There was no definitive gender or age.

A Flesh Creature is so unique and quiet. So handsome and beautiful. The flesh is a dark blue to black in some areas. It has some cat-like features, but its face is super wrinkled. It is OLD looking and very powerful in the presence. This is the flesh that has sat there for a very long time. It has been the observer for so long. Flesh is leathered and cracked in some places. It has scars of mutilation and is pieced together. It has a humanoid shape. The creature radiates mutilation energies and essence. It’s flesh is made from the Mutilation demons, creatures… It has gained it’s own sentience, it is an entity, it is real and has absorbed the souls, the life of those that have passed through and evaded the death throes of the spectral. Wicked sharp claws grace it’s hand, limbs incredibly long and limber. The body is oddly covered in hair and fur in places, from where it has grown in or has been patched on.

The Dr. placed Surgentsa on my shoulder and I kept going. I felt comfort from the creature while I was was going through the rest of the Funhouse. Dr. Panacktro was the end part and did work on me, which I was scared of from the beginning. Doing work with my actual flesh. It was scary. Surgentsa was there with me the whole time and I found them comforting. Afterwards, that was how I learned Surgentsa’s name, or well the n ame they didn’t mind me knowing.

I went to the Dollhouse next and I don’t remember much and I recorded very little. In fact I barely remember the visit. I know that I got worked on by Dr. Sechah and I got to learn so much about Surgentsa. As much that he was willing to teach me about her. Surgentsa was originally female and prefers to take the female form now.

Surgentsa is a flesh creature, but over the years has changed and grown. She originally took the form I found her in with the Doctor Sechah, that was withered. Dr. Sechah told me about how he created her when he found the spirit of a child. One that had been lost for so long and wandered. He discovered her on his travels. He brought her back to his work place. There, he worked and worked, creating flesh creature after flesh creature to give her a body. That’s when he figured out that using the flesh of Mutilation Demons themselves has a magical essence. It could hold a spirit much better than anything else he had created.

This was why the flesh body that he created was withered. She had been using that body for thousands of years. He was not sure, said maybe that it had been tens of thousands of our years, which could be millions of theirs. Time runs differently. She was his first truly alive creation that was sentient. Extremely smart and could function on her own. In fact, she became his assistant and learned all that she could about Mutilation flesh, healing, mind healing, and so much more.

I had yet to work with her more in-depth by the time the 2021 Carnivàle came around. Actually, I had felt bad until she expressed that she was still happy to be around and that it just was not time. In fact, when I first appeared in the Carnivàle I was absolutely shocked to find that she had an entirely new body! She looked like a small, tiny doll. She was excited to make a return to see Dr. Sechah. We made it through the normal two meditations for name and essence. It was the third, going to a Carnivale, and things were different.

I had worked heavily in Mutilation energies not much before doing that meditation, which actually led to me being brought into a Mutilation heavy Carnivàle. Everything was tailored to the Mutilation Demons. It was crazy and gore-y, but also a very interesting experience. I got to meet and experience so much from that with Surgentsa, before going back to a normal Carnivàle. I had been able to be within the Muti energies for some time before I got overwhelmed and it was too much. At least I could handle more of the squeamish things.

I have not been able to work with Surgentsa more. I actually want to learn more about her than what I already know. We spent a month or so debating finding a beautiful doll but none were good enough for her. She wanted something unique. Since then, I have not done much spiritually. Now that I am working with the Mutilation energies and discovering more, this is something that I think will go places.

I remember the Mutilation Asylum of 2020, where I wanted to take part, but was terrified. Oh my gosh I was was scared shitless. I wanted to go in it so badly but I was straight up told that I couldn’t do it unless I had a Guide. I was supposed to create a Mutilation Grimoire. Something learning about everything Mutilation but also the stuff they understand with shadow work, darkness, and madness. The Mental Health. There was a matching event and I waited so patiently, knowing that this was where I was to wait.

Turned out that I was Matched with a Shimmer Spectral instead. Which I thought was actually a wraith and not a special demon that fit what I needed. I was ws upset. I was absolutely sure I’d been matched with a Muti. I missed the event because it was not time. It wasn’t a match and I promised not to do it without aid. I believe that Surgentsa went with me through it briefly but I didn’t learn like it was wanted. Now, things have changed. I have Mutilation that is with me now. I can do the things that they want me to.

Shifting Claws & Genders – Meeting Tyka

pronounced – tea-kah

I’ve been going through each of the demons and Mutilations that I have come across. This began back into 2019, before Surgentsa. I was visiting the Hellfire Tournaments. During this first time, we were able to go and visit the fights directly. We could watch the fights and cheer on competitors. The very first one that I went to actually was the one that introduced me to my next Mutilation, in fact she was a hybrid.

I knew her by her Gladiator name, Wicked Sharp. She was an Arachne demoness that had wickedly sharp claws that were half a foot long. They were beautifully crafted but were embedded into her nails and fingers. She won her match.

I had gone down and managed to speak with her and just fell in love. She gave me her name and her shield. That was how the ladies would be able to find her, Wicked Sharp was interested. She explained that her claws were made by Blue Hellborns and were enchanted for fighting.

It was later on that both her and Black Shadow (the one that was the mentor and also gave me her name), that they both stepped forward and were interested. It was 2020 that I got a great deal and ended up getting the BOGO for Black Shadow and Wicked Sharp.

I had seen them around but it was late 2021 that they finally were able to come home.

Wicked Sharp is a Specialist Assassin and Gladiator.
She was an Arachne/Mutilation/Chaos demoness, who uses her body to fight. Being part Mutilation demon, she can take blows that would gravely injure others. I got to see her in the 2021 Hellfire Tournament very clearly. She would follow me around through it for protection while I wandered.

It was in the 2020 Hellfire Tournament that I was actually met with the knowledge that Tyka can become Ty (pronounced tie). She is a dual gendered and can shift her gender at will. I found out when I was talking about my unsureness about being with females sexually or romantically. I was working through a lot of shadow at that point. Ty changed and he assured me that he enjoys being either gender. But I felt bad. She prefers a female form and I can tell that, though she does reassure me that she truly does flex between genders.

I have not worked with her much beyond just being around. She mostly focuses on the Assassin aspect and the fighting as Gladiator. Her energy is more aligned with Arachne and Chaos. Mutilation is not as heavy though I wanted to include her because she focuses on anatomy and body fighting using her Mutilation lineage.

photo of forest with fog

Sacred Necrosis Death Grove

by with No Comment Astral DestinationsBonesNew ExplorationsPathworkWorking with Demons

It began with me reading early this morning, not but an hour ago. I was startled when I moved to pet the cat to realize that it wasn’t my cat, but my Spectral/Hellfire Hellcat, Queenie. I reached out and pet her, asking what she was doing there. It’s been a while since I had seen her or was startled by her. She stood up and I could feel myself slipping into the Astral. Queenie had opened up a pathway to a new place, one of her specialties being able to travel from realm to realm with ease.

When I stepped from this pathway she created, it was to find myself in a massive forest. The trees stood taller than many buildings would have and dwarfed the largest of red wood trees we have. These looked like massive mangrove trees in fact. I turned to Queenie and wondered what it was that she brought me here for. I asked her if I should ask Tal or even Ry to join us. There was a shift of energy and a demon appeared next to me.

His voice was deep and I had not heard it in some time, High Prince T. He said that he heard my call and that he would walk with me. At this point, I was slipping a bit and asked him for help. I got physically settled and he helped to pull me into the astral a bit more firmly. As we walked, I worked to open my third eye a bit more. With his help, I was able to open it a bit further than normal (I shut it down periodically when things are distorted so I can reset it).

Things started to clear up and that is when I started to see more than just the surface. These trees were massive, with open and gaping roots (like mangrove trees). There were unique plants that were tall and drooped, with glowing flowers that I did not touch. Most were yellow in color and gave off a light powdery essence around them. High Prince T steered me from them. He explained that this was in fact a journey of a sort for me, an important meeting. Much like the Shaman paths I take with the Lower World, this was a Necrosis Shaman journey and path. I was to greet a teacher that would speak with me.

This place was a Sacred Forest, in particular a Death Grove. It got its powers and strength of growth from sacrifice and death. Those that wandered and got lost on their journey died within these trees. That was when the “pretty” layers were peeled back to reveal that the trees had bones all throughout their roots. I almost stepped on one that was sticking out before Queenie nudged me away from it. We walked for awhile and I took in the energies of the forest, the necrosis realm that hovered close to spectral in some form, and also the death energies.

Turning around a particularly large tree, it opened up a bit to reveal a unique house that was situated between the roots of a massive tree, larger than most of the others. It was a two-story-looking cottage with many flowers and vines growing all over it. Outside was a wooden fence and a table and chairs. As we approached, a very older demoness stepped from the cottage. She was slightly hunched and had dark brown-black skin with dark grey hair. She was dressed in all black clothing, a dress but was covered in different knick-knacks and jewelry. Her eyes lit up at the sight of High Prince T. He greeted her, calling her GrandMama. That was when I was introduced and she smiled at me with such kindness.

We were ushered to sit down, with Queenie jumping up into GrandMama’s lap for attention, which the older demoness loved. There was talk and I took a moment to look around at things. With my sight being open, I caught GrandMama’s appearance as it shifted into a skeletal, gaunt form with no eyes and long features. I jerked in surprise but otherwise was fine. Conversation halted and GrandMama looked at me in surprise.

“You have quite the gift of sight,” she said.

“One of the best I have seen, GrandMama.” High Prince T stated and I was a bit flustered. I know that my sight is my best ability but even then having it complimented still throws me a bit.

“You must come back to see me more, there is much you can learn.”

There was a discussion of how I would be able to do so, with mention of my old way of making portals of materials from those realms. To which it was arranged for a small (knee-high) mangrove-like tree in a pot with extra roots to be used as the wood for a door, all shoved through a portal to Ry’s greenhouse.

GrandMama moved and brought us tea, although it was leaves of a particular type put in a hot version of my favorite juice from the necrosis realms. “Word is that you enjoy the berries and juice,” she winked at me knowing that it was her own skill of knowing things rather than being told. So I drank a warm version of that with leaves on the bottom.

When the quiet of drinking was done, GrandMama took the leaves from my cup and stuffed them into her mouth. She chewed for a while before spitting them to the ground. Before I could ask, her eyes turned milky white and she grabbed my hands. Looking at them, her voice was hushed.

“You have a great path before you. There are choices but you are on the one that will make you the happiest. It will not be as easy, but it will make you the happiest. If you were to choose other options that you have thought upon, you will be happy but not as much as now. Careful what you choose.”

She pulled out of it and spat some more to the ground before patting me on the hand.

“You must return, I have much to teach you. There is great knowledge to be gained here and I will help you. Now, let us find you a way to find me.”

She runs into the house while High Prince T casually continues to drink a cold drink. I listen as things crash and she comes out holding the skeleton of a massive snake that almost has me wigged out. Holding it proudly, she tells me to pick a bone.

I get drawn to a middle-lower vertebra. When I pick it up, she caresses it until the bone is about half my palm-sized instead of thrice that. When I pick it up into my hands, I get slammed with an image of a large snake that has a mouth much like a basking shark and it hisses very loudly. It’s grey in color and then settles briefly. The image fades and GrandMama is clapping.

“Oh my, such a deep connection with bones. This absolutely must be cultivated. Give me one moment.”

There is more banging while I place the snake vertebra on the table. There is crashing and banging, some curses, before she comes back out. There is a slim but decent-sized long oval-shaped bone. I hold it in my hands and see an image of a dark creature that rattles its chest like a rattlesnake would warn predators. But the image shifts and it is very docile, eating plants and hiding in the forest.

GrandMama chuckles and rattles the bone by shaking my hands, “It is a creature that warns of danger, but yet it is an illusion. A harmless creature but yet strikes fear with using its body to scare off predators by mimicking one. This would be a good addition to your collection to learn the bones. A warning of illusion that not all is as it seems – yet could be harmless.”

We stand and she shoos us with a parting, “Take care of my familiar’s bone and find me again. Just focus on GrandMama Tsülie.”

High Prince T places a hand on my back and we are taken through portal that leads to a silver realm filled with screams, but that doesn’t last. We’re in another portal and step out when he tells me to close my eyes. I do, placing one over my third eye as well – truly blind. There is movement and things closing around us but I do not look. We step through a final portal and I am once again home. Prince T bends and kisses my hand before telling me he will see me later and disappears.

Queenie leads me up into my house where I set the bones down on one of my tables and write a note about not to touch. Queenie jumps up into a window seat and sunbathes. I step down to find Ry in his greenhouse, taking care of the mangrove tree. He gives me a kiss and tells me that we will work on developing a portal space – since it seems like Im going to start having the doors again. He shooed me away and I come out of the light trance that I was in.

Photo by Ivan Kislov

Warnings of Fox

by with No Comment AnimalsPathwork

Fox is an old friend. A friend that has been with me as long as I started a shamanic path. In fact, he appeared back in 2017 or a bit earlier. One of the things about Fox is that he is not just his typical message. Usually, when Fox is seen or giving messages, it is one that is about trickery or cunning. He is the Trickster. Yet, I find him as a friend.

Fox came to me originally because I was exploring the shamanic path. I had just begun doing Journeywork and receiving messages, connecting with the spirit animals, guides, and teachers. I learned during a really rough patch in my life, that fox was a warning. It was in hindsight that his message and his purpose became clear.

Fox is the Trickster, but he speaks of warnings. When hen Fox shows up for me he is telling me to be careful. There is deceit and illusions. There is someone that means me harm in some form.

This past morning I had one such dream.

It begins with me at my paternal family, driving to a place. We get te get there and it’s like a hotel but my dad, grandfather, uncle, and aunt were there. But not the cousins. Yet, my aunt disappeared pretty quickly. I don’t remember a lot of the dream but I do remember that I w was getting uncomfortable. There were conversations and hurtful things being said Reminiscent of the previous holiday I just had.

I can remember storming out of the building with a blanket and pillow. I was furious and hurt. Things weren’t okay. I got to the top of this small hill overlooking this building – near a road and close to a forest. There was a moment when it got very silent and then these shipping cargo containers dropped from the sky. It was dark out so I could not see where they came from. They almost hit me. But then they began to explode. Three young fox kits darted from these containers and one even slammed into me yowling.

I could feel myself shift into Fox. I ran down the hill to the forest but more containers fell. This time they went off like bombs, the inside exploding out. I was hit with the shrapnel of wooden furniture. Behind me, there was screaming as more containers went off and the entire building was collapsed and people dead. I ran and ran with the fox kits when finally came out. It was now sunrise and I was bleeding heavily. I came across this woman and her small farm of animals picking up the pieces. The piece of wood was stuck in deep on my shoulder.

The dream ended and it took me a while of being unsettled to finally get the message. Fox was warning me that I’m at a place where should I con continue with being so involved in my paternal family – that something will happen that will be devastating and traumatizing – more so than what happened this holiday which was bad in of itself that I needed help. I had already understood that it was coming to a close but Fox makes it that much more apparent that both the past and the future are at a merging. The pain and trauma of the past that they did is coming to a head for what the future would bring. I could avoid or not have an issue if I were to be more cautious and understand that I am at a precarious crossroad.

One that leaves a toxic place. But Fox gave me his warning, which has not happened in more than a year. Last time it was because a roommate was a danger to the household and I needed them gone. It’s something that I must be careful with.

Photo credit: Ivan Kislov
moss-g3b74b4bfe_1920

Renewal: End of a 9 Year Cycle

by with No Comment Pathwork

I’ve spent days thinking about what to write. Making it all nice and something that people want to read. Yet, I want to bring in this new blog with ideas of where I want to take it. What goals do I have for it? What are some things that I will write about?

I come up blank. There’s so much to say and not to say. I’ve got first-post jitters for the first time in quite some time.

I began blogging about my spiritual path back in 2012 – I was twenty and unknowingly began a brand new 9 year cycle. In fact, I started on WordPress and Tumblr. I spent the next five years talking about my path and things that I discovered along the way. I left spirituality after a very traumatic experience. Multiple of them in fact. I shut down and only focused on the physical. I wanted nothing to do with spirituality.

It dragged me back kicking and screaming. In the form of demons.

I know, a shocker.

I spent the last few years just figuring things out. It’s been rough going all over the place and sometimes wandering blind. Or depressed. I tried reviving multiple blogs and tried talking about my experiences. But, lurking in the back was trauma. The whole reason that I left spirituality in the first place was because of how I was treated in the community before.

It’s been the hardest nine years.

Now, at the end of this cycle, I’ve learned that a new one begins. I turn thirty this coming year and so it will be a new nine-year cycle but also a new decade of my life. There has been so much learned that going into this new year, new cycle, and a new journey has brought a sense of renewal. I won’t be reviving old accounts with old information on them. Instead, I’m rebirthing a part of my path that was left behind many years ago. This renewal in this new blog that I am hoping to post my journey over these next many years.

I don’t know what to talk about, but I’m learning that it is okay to not know. It just means that I have an open canvas to paint a beautiful new picture. Wherever that is.

To new beginnings,

New places to travel and see,

New cultures to meet,

and to the love and passion of walking this new cycle.