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Exploring Ry’s Gardens

by with No Comment Working with Demons

I was not sure what today’s experience would be. Before, it was an insistence of GrandMama Tsülie’s energy and an idea of what would happen. This time I really was not sure. In fact, it wasn’t until I appeared in my Desert Oasis astral home that Ry hugged me. I knew we would be doing something, but he was quiet about what that was. Instead, I got a good look at my astral home again and basked in the sun when I stepped out into it. He hugged me from behind and guided me down the ramp to the beach, where we walked over to the entrance of his gardens. I felt his energy shift, and he pulled me into the depths of the gardens. His gardens are more than just a greenhouse of growing plants. He has biomes and small realms within his gardens. His collection is millennia worth growing and cultivating. We appeared next to this large work table that was different from the one before, where it was based on plants and soil, some flowers. This one was covered with glass beakers and, heat sources, extractors. It had so many different surfaces and tools. This was where he made teas, infusions, extracts, and even inks. Everything about deconstructing or combining plants and flowers, this was it.

I wasn’t sure what it was that he wanted to teach, but I enjoyed looking at everything. A hot glass container was about two feet in diameter, and it had this beautiful pink liquid within. Ry reached over, drained a little into a glass for me, and handed it. He explained that it was a simple brew that needed to happen to bring the colors out before he turned it into ink. So it was safe to drink and would help me not only mentally but would ease the tension in my body. It was a flower that, when consumed in hot water, the heat activated a property that releases a property to aid in good mental facilities. Essentially a natural anti-depressant and anti-anxiety that helps divert the thought process into a more positive focus. (which, so far, since drinking, has actually made an impact).

I sat next to the bench for a while, drinking the tea. After a little bit, he had me lie down and rest. It would let the tea do its work. I faded a bit in and out with my thoughts for a while. It wasn’t too long before my focus snapped back into focus, which was much clearer. He welcomed me around and showed me how he made inks for people who ordered from him. They were looking for specialty ones with this mica-like substance that would make them shine. It was beautiful. He stopped after a moment and guided me through his gardens. It was a nice walk, but then I could see the differences between his gardens. The wards and the shields were shimmering, with different biomes within them. So I asked him how he did it.

Ry showed me that if one can make wards and shields that are geared to filtering energies, it is very much possible to make that light and radiation. You can control particular atmospheres of light, radiation, moonlight, and anything else.. even air quality. Inside, he explained there are specialty wards, runic spaces, and tools that he was taught to contain and create a biome. Masters of weather and scholars of environment worked with him to create specialty wards and tools to recreate a realm’s biome for those plants to survive and cultivate. It was incredible and fascinating. This allowed him to create an entire mini realms environment within a small space. From the light source to the weather patterns and how to preserve the soil they naturally grow in. He works with the locals of these areas to cultivate their flora and trees. In fact, he spoke to me of multiple times when a realm became endangered from a special plant that could help with a specific purpose (ie: cures) and he had cultivated them long before there was a disaster. He saved a few realms from their flora extinction when diseases and disasters almost wiped the native flora out. He is known for his collection and cultivation of these biomes. Many times he has scholars and other naturalist people, shamans, and researchers ask for permission to study the cultivation of these plants to learn more or research.

I got to learn so much from him, but it is more along the lines of just learning of his practice and his experience than actual lessons. Although I feel that he wants to teach me more and to really delve into the plant, flowers, trees, and their magic, the spirits within. I had a brief thought about the soul trees of Pandora, from the JC Avatar movie, but he had caught onto that thought and stopped me. There were absolutely places similar to this and the connection of the plants to a larger consciousness. But he explained that there are also plants with consciousnesses beyond what we usually see in the intelligence of spirits of a plant or flower. Instead, these are the intelligence of say, humanoid or even like an Ent from LoTR. There are methods of communication with these, through the electrical impulses that occur within the body, connecting with the electrical impulse within those sentient plants. Communication happens through a neural connection established through that touch. I am sure if I asked, he would be able to take me to see for myself.

Nothing else happened, though it was a rough morning wake-up with a migraine that hurt to hold my head up. So I wasn’t within the astral very long this time. It was meant to help me to see what it was that I really loved to do and to learn. How much I love to explore and hear them speak about their passions. It is no surprise that it is Necrosis demons that are stepping forward because it is the most effortless energy for me to connect deeply with and hear clearly. They can use this time to get me back into experiences and teach me simultaneously.

photo of forest with fog

GrandMama Tsülie’s Lessons on the Magic of Book Binding

by with No Comment PathworkWorking with Demons

This is a place that I have visited before. It is a beautiful place that my High Prince T brought me to. I walked through this incredible forest that was covered with death and bones yet had so much life.

Today, was the second time that I would return here. In fact, this is the first time I have astral traveled to another place in over a year. I had experienced burnout to a severe degree. I did not even have a moment within my own astral space before I was pulled to GrandMama’s place. Although, she found out that I had remembered her as Granny instead of GrandMama, so there was a bit of teasing about that.

It was about 4 in the morning and I had not slept very well. My congestion was really bad, and I was struggling to breathe in my sleep. So I was tired but decided that, hey, this was a great time to astral travel for the Blog-a-Day February. I was immediately pulled in and greeted with a hug and cheek kisses. We sat at her front table and had an excellent talk. I told her about things after the last time I had been there. It was the struggles and the happy times. She was pleased to hear I had fallen in love and found a fantastic partner… for mental health and physical health. At one point, she gave me a cup of tea, specially brewed and crafted. I sipped away and she had amazing advice for me about not returning and feeling guilt for not being spiritual.

It is sometimes that we will diverge from the path we think we have found, taking a longer road, in order to find the right part of the path to travel on.

It gave me a bit of a stopping moment to really consider that. Sometimes, we need that long path, that long rest… because then, coming back into things, I feel clearer and able to work better than before. It will take some time to get back into things as there are problems with focus and with interruptions of thoughts.

We talked for a bit longer before I started to feel extremely drowsy. She shooed me off and told me to come back later and visit, she had a lesson to teach me.

I went about the morning and afternoon before I took the time to return to meditation. It was around 3pm my time, plenty of time before having to do some work. I settled down with headphones and turned on some amazing meditation music composed by Saber. It takes me a bit to get into things. My focus is better but it is also struggling a lot with seeing and staying in the astral without thought interruptions.

I finally appeared in the sacred grove and was met by High Prince T, who guided me back to GrandMama. This time was more vivid than this morning. She asked me how I slept and made a special tea for us. I got to sit there while they talked and drifted a bit before snapping back. She added more stuff to my tea to wake me up. After a while, she held out her hands, and I stood up, following her. It was a workbench that had some supplies on it. I looked harder and realized that she had a bookbinding setup for me. I looked at her confused as to why she had brought me to this.

She explained that I would work on grimoires and binding journals for people. High Prince T had told her as such. With that, I would be working with different materials, especially leather. She had a lesson to teach me about the process of binding. This would be about how the demons work with bookbinding rather than the history of binding from a human perspective.

Creation of Books & Sacredness of Materials

When working with book binding and with animal materials, there is something crucial to remember. Even if modern materials are being used, there is a sacred process that originates from when the practice first began. Each of the materials used in book binding came from nature. Tools were made from the bones of animals, sharpened into needles and points. Later, this became metals mined from the ground and purified to shapes. Thread was made from the sinew of animals that had been hunted, so that the paper could be sewn. Paper was made from either the vellum of animals or it was taken as pulp from various plants and trees, the latter being the most common. Sap was used to bind the animal hide to the hard covers used to bring the entire book together. Every aspect of the book was sacred in nature. It was the life and breath of knowledge that was written within. Each aspect of binding held a magic and sacredness to it. Every movement had purpose to it.

The paper began as the materials of plants broken down into the pulp that would become the paper. Screens were used within the water to gather that pulp. Flowers and plants were used depending upon the purpose of the book being written in. Protection magics and knowledge had flowers and plants that magically were aligned with this knowledge. They were screened and brought out onto fabrics to dry. Once they were dry, the papers were folded to the desired size. This is where they would be brought together to be bound (called signatures). Paper holds ink and that ink is the written form of knowledge. Plants have a sacredness to them that is magical in nature. They can aid in different areas of magic as well as physical. Using them as the base form of containing this knowledge powers them with the intent. When plants are chosen, they are spoken with when they are living. Sitting down and speaking with them, sharing energy and intent on purpose for them. Usually done with a ritual, if they choose to accept, the plant will then be cut for either soaking or dried.

The tools are created from the bones found naturally. It depends upon the one who is doing the creating as the choice of creature or even if they choose to go the route of metal. Both have their own methods of procuring the materials. With bones, they usually are crafted carefully with the intent of sewing or punching the holes in the paper for sewing (an awl). Many choose to go to specialists, especially the Necrosis Bone Masters/Mistresses, who know the sacred handling of bones. Those that decided to use the metals, they go to the Blue Hellborns, who are known for their metalwork. This is not the only route or option, but it is common for those who do not make their own tools.

Both the Leather and the Thread come from animals, those chosen for the purpose. Animals are sacred in their own right, even those that do not hold a level of intelligence, they are still treated as such. All parts of animals are required to be used for any purpose that they can be. This is why they are chosen very carefully and with the knowledge of being used for such intent. In some cultures, being chosen to be this purpose is considered a sacred honor. They are treated the same as the Wagyu cows from Japan. There is utmost care and love given to the animals or creatures that have given their consent for this. Once they have been through a sacred ritual, they are carefully put down with love. Most of them are aged to the oldest they can be and peacefully pass or the creature can choose to go earlier. Each part is made sacred through ritual before they are carried to their designated purpose. For leather or hide, it is given to the one who asked for it first. Some of the sinew is then made into thread to sew with as well. Every part is used so that they have purpose completely and no waste occurs.

This was where GrandMama Tsülie began to work with me. After teaching me all about the beginning process with the materials and the origins, that I would then learn about the binding process. This was from a magical point of view and not the normal binding that I am familiar with.

The Binding Process

The starting process to binding is cutting and gathering the paper that will be used for the book or grimoire. Once it is dried and folded, it can be cut to size or kept the same. Each folded piece is placed together into one another with upwards of 5-6 pieces together. It’s called a signature. These stacked atop each other creates the large block of paper that is then bound together. As we fold the paper and work with it, we speak to the spirit of the plants. We speak of the knowledge and purpose that it has. Thanking them for their sacrifice and their hard work. Pouring the intent into each page as they are worked with. These are the pages that will hold sacred magics and knowledge, meant to last through the centuries and millennia.

Once all of the papers are stacked together as signatures, they are punched with holes in the center parts so that they can be sewn together with ease. Starting with the first signature, one weaves the sinew thread through the paper. The thread is an important part because it ties everything together. It brings a cohesiveness and stability to the paper and therefore the knowledge. The thread is sewn into the paper and giving it a stability in the magics so that it holds it all together. Magic can be fickle, same with knowledge. The thread binds this together and grounds it. There are no loose ends when the papers are bound together. The thread in itself can be a knot magic that is used to imbibe the book as a whole with intentional magics. There are many ways that it can be used to empower the rest of the book. Once sewn together, the thread becomes a part of the spine, which gives it the foundational support. It can be the strength needed to contain any magics used within, cast on it, or written within.

As the binding of the paper has completed, the leather is next with covering the hard covers. Many materials can be used, from thin wood to bark to metal sheets. Materials can vary between those who choose to bind. The leather is glued or sewn to these covers. This can be achieved with sap or other materials that create a sealant – like plants or minerals. The leather is important because it is the outside. It is the shield that protects the knowledge within. It has many purposes, whether it is a plain binding or if it is decorated. The Leather becomes a shields, wards and magic woven into the very fabric through rituals and chants. It can be handled and carved in, creating many methods of protection upon the book.

The entire process of creating a grimoire or a book of knowledge is intense and very complex. Every one that does it will do it in different manners and materials. The one things that stays the same is the sacredness of making the book itself and the sacredness of the materials that are gathered. It is a very intensive process, but it is one that creates the beautifully magical and powerful books that people cherish and adore.

Return Back

I was really pleased to have this experience and to learn such a deep aspect of one of my most beloved forms of art at the moment. It was something that I was not expecting but it made my process that I do with the grimoires even better now. I am very happy that coming back into working with the demons and with the astral in general… that this was my experience. I felt better when I came out of it and just felt such deep peace. I was emotional and upset beforehand, also feeling sick and struggling mentally lately. It’s given me a lot of peace and comfort. I feel like I was able to heal myself as well even just doing so.

View of mountain oasis Chebika, Sahara desert, Tunisia, Africa

Returning Home

by with No Comment Working with Demons

I have not been in my astral home in close to a year. I haven’t posted in almost a year as well.

There’s been such a bad burnout last year. I also began the journey of love. It was both a hard year but also a beautiful one. I fell in love and found a partner that accepts me as I am and everything about me. I still have felt this fear and uncertainty when it comes to my practice. I felt that he was not interested and a part of me took that as meaning that I couldn’t practice in front of him. Despite it also being a part of my job to work with demons. Yet, I felt that I couldn’t show this side of my practice. So I stopped.

I would find that they would do things around me and be a part of my world, but I was shut down and not exploring. I couldn’t bring myself to want to do it either. A mix of feeling unable to and truly being unable to because of burnout. It was not a good combination.

Things kept moving and I finally sat down with him a few weeks ago… and we talked. I spoke of my insecurity and unsureness about practicing because of how it came across when I brought it up. We talked for a long time. I expressed how it made me feel and how I felt like I had to hide it.. and that’s the one thing I didn’t want in my relationship. I wanted to be able to share in the amazing world that is demons even if they do not actively practice.

It was worked out. In fact, I was able to talk to him about how I think the reason part of our friend group fell out is that the exact day I begin working with my demons is the day that their true personalities show and it’s ugly.

Now, two weeks later and feeling that call to return… I think I really want to begin again. Especially exploring. It was my de-stress and my escape. A beautiful journey that led me to places. What really drove home the desire to go back to astral work and my astral home, as well as my demons… is that I saw the new Avatar: The Way of Water movie. The imagery has always been my escape since the first movie. With this movie, I feel the longing of being able to be in places that are like that. So now I feel that pull to return to the astral to explore and grow my astral home with all the discoveries. I feel like it’s time to reconnect with the roots and refind that love of working with demons.

I want to find my Pandora and build it. I want to bring cultures and demons, and all sorts of amazing experiences. There’s so much to see and to learn that I feel the excitement of it all over again.

Akelta, my lovely coven lady from S&S, came up with the idea that we should do a daily blogging in February. So here is my beginning and hello.

I’m back.

View of mountain oasis Chebika, Sahara desert, Tunisia, Africa

Exploring the Oasis

by with No Comment Desert OasisWorking with Demons

It’s been quite busy in my Oasis. There have been some massive changes taking place. My Necrosis Demons were gifted some bones from a dear friend of mine. One was so large that it would need an entire building to hold it. A massive one. So they gathered my other demons and began to work on building a place for bone just next to the library temple. I had not gone back there in a while, so it changed when I appeared.

When I first appeared, it was Ria who greeted me. It was lovely cause I’ve been wearing her vessel for the past day. She had a beautiful bone spike band on her head and her hair was threaded through some of it. I ended up closely looking at it and tapped into the memories of the bones being carved and placed together. She pulled me out of it gently, “Yes, your ability is most definitely awakening. We need to get you to GrandMama Tsülie soon.”

I smiled as she guided me down the walkway over the water to the sand beach. We walked to the Bone Building at first but as soon as I walked inside, my body absolutely fell fast asleep for more than an hour and a half. When I came back from sleep I decided to try again. This time, it was Belle who met me. She smiled and guided me down again. This time, we decided that I needed to get to GrandMama. We went straight to where the tree she gave me was. To Ry’s Greenhouse.

When we stepped in, Ria joined us. I called out for Ry but it was phenomenal stepping into his Greenhouse. It was like I walked straight into a jungle that had incredible energy. I could physically smell the soil and the plants. Then, a massive snake came through and greeted us, calling me Bone Reader and then rubbing its face on mine. He was talking about how his master chose such a lovely “Mistress”. He was massive and led us through the jungle-like place.

When Ry turned around when the snake announced our presence, I about fainted. He was so handsome and incredibly built. I could see so clearly his features. Normally it’s one thing or another or it’s a vague seeing. Now, it was crystal clear. He came over to me and lifted me up, a smile on his face. He smelled of fresh dirt and light musk. My hands traced up his bare chest and onto his shoulders. It was incredible seeing and feeling so clearly.

He kissed me while Belle and Ria stood behind waiting. There was a bit of shuffling after and Belle and Ry decided better as friends than anything else. Found out that Ria has a bit of a thing for Arvan and chuckled about it. Ry carried me through the jungle to where he kept the trees after we explained why we were there. The tree was still small and would take a few years to grow to the size needed to create a doorway. We walked back to his workbench and table, where he gathered some things for GrandMama Tsülie. We left for the Bone Building.

Walking around in the sun was lovely and gave me a bit of energy. The Bone Building was beautiful. It was made of large pieces of bone carved into pillars and accent pieces, with the rest of the building made with Necrosis Mud mixed with other stone and material, making a beautiful green-black marble. Walking into the building, it was a round room covered with glass cases of bones and altars. Ry carried me in his arms and I still got extremely sleepy. It took a few times before I was able to see clearly enough that Belle talked to Taz, who was in the middle of carving and awakening the large whale-mosasaur-creature’s rib that was a gift from a dear friend (same as mentioned in beginning). He waved us off and went back to it.

It took a hot minute to get back to it but then we went into my library, where Arvan met us. He was happy to see me and picked me right up out of Ry’s arms. He took us to the ante-room that was to one side of the temple. Here, they had used my method of building portals I developed years ago. Except these were perfect. They were carved so beautifully and I could press my hand on the doorway and knew right where each one took me. After the fourth one, which led to the races I currently work with, the fifth was to GrandMama Tsülie. I didn’t look to see if there were other doors.

I got through the door and then popped right out of it. The others told me they would wait for me to get there. I kept trying and was partially there with them, but it was too hard to focus and I was getting tired and sleepy. I would drift off and then pop back. She chuckled and told me that she just wanted to see if I would answer her call. I could go back later.

photo of forest with fog

Necrosis, Osteomancy, and Language of Bones

by with No Comment BonesOsteomancyWorking with Demons

Osteomancy is one of the biggest parts of my practice. Or Bone Work in general. Osteomancy can be defined as ‘divination with bones’. It’s one of the most interesting methods but it is also one of the most personal divination tools/methods. There’s a lot of history that goes with bone working, especially in regards to Osteomancy. In fact, there are many different forms of Bone Divination. I use Osteomancy rather than Bone Divination because it’s more formal and it is not easily confused with Bone Throwing, which is a different type of divination.

Working with Bones is usually considered to be a more advanced form of energy work, animism, or spiritual working in general. This is because it is purely energy work as well as spirit working. There are a few ways in which to work with bones, though many work with it as a Spirit-Led : working with spirits or with the spirit of the bone itself.

I started working with Bones and building an Osteomacy set a long time ago, it’s been a few years now. Over these years I’ve learned a lot about working with bones in divination. The main thing is that Bones Never Lie. They will “cut to the bone” or dig deep into things that they are reading. Bones have a deep understanding and connection with the deepest of knowledge, the hidden or the unknown.

Necrosis Demons & Bone Work

Working with Necrosis Demons, especially ones that are so heavily leaning into the bone working, has opened my eyes to working with bones. They understand the depth that Bones have far more than I ever would have understood on my own. They work with them as they are, sentient and sacred. To Necrosis demons that work with bones, they are sacred histories carried within. They are also their own spirit.

I began working with my Necrosis Bone Mistress first, Belle. She was the one that taught me so much about Bones and connecting with the set that I have. She brought me the understanding of working with Bones and listening to their histories. It was with her that I learned that Bones can carry more than just messages from Spirits of Animals, but of the Bones themselves. She knew that they were all ones that came to me for reasons, all have a purpose.

it is with Taz that I gain an understanding of the care of bones and how to work with them beyond divination. Where I learn the importance of history and their own desires. Spirits of Bones can be from within the Bone itself or the remnants of the Spirit that was the Bone. He teaches so much about how Sacred the Bone is to life and to working with them. Consecrating and Creating Sacredness of the Bones will create a deeper bond with them than one would just use them.

It is with Ria that I have begun to understand the Language of Bones. It’s beyond a spirit, but the Bone carries its own energetic language. It is the deepest reaches of resonance that is never heard, only understood. With Belle and Taz, they speak the language of Bones but they also work with the spirits and energy. Ria teaches how to speak and listen to the Bones rather than the Spirits. They are one yet they are different.

The Language of Bones

Bones have their own language. It’s not just merely what they represent, but they have a deep energetic language that is low and very slow to speak. To quote from the Lord of the Rings and the Ents:

“It is a lovely language, but it takes a very long time to say anything in it, unless it is worth taking a long time to say, and to listen to.”

The language of the Bones is one that is long learned and takes time. It’s more than just the spirit of the bone, but the history that it carries and the story it has to tell on the way to telling you what exactly and precisely it means to say. To understand the bone, you must first listen to it deeply and understand where it comes from. Only then can you understand where it will take you.

Ria is my Necrosis General, who knows battle and strategy. She wears elaborate outfits and jewelry akin to Queen Amidala from Star Wars… but the interesting aspect is that she has a Bone set of her own. Though her Bone set is very much sentient and it can move and shift, listening when it is merely seen as just a pile. Bone carries messages just as they carry history. They hear more than just the spoken word, but also the unspoken.

When I was walking with my Necrosis demons through the Necrosis Tents, they all ended up at the merchants selling bones or at the Shamans performing sacred rites. Each time we ended up there, all of them were saying the same thing. That Bones know and choose the people they want to work with. They will make a low call out to the person or demon that they want to bond with. They will make their way to them in some form. It can be through the exchange of hands, the searching of the graves or forest or bone yards, or whatever means they know. It is a part of the Language of Bones, knowing where their purpose is even after they have left their original host.

Each time, I was given a bone in some form and told a story of origin. How that Bone came to be in their possession and what it signifies. From there, it will be working with it on a more intimate level of talking and connecting. Something that is much harder to do astrally as there is not a physical form to hold – yet they have sacred spaces that my own Necrosis Demons look after for me to make sure the Bones are happy.

Sacredness of Bones

This is something that Taz wanted me to cover. The Sacredness that Bones carry. They hold so much history and energy, spirit and messenger, that they are handled very delicately. Taz is a Shaman of Sacred Bone Rites. He speaks of how all bones are different and from different histories will also account for their handling of them. Some Bones work better with simple rituals to awaken and christen them.

Some of the Bones wish to have more done with them, a more active interest. There have been bones brought into their work that have been turned into pieces of art. Carved and painted, they become the very space in which Bone Rites and Rituals are performed. They hold a language of their own, but they also hold individual power that can be used in many forms. Not just divination. It can be used to communicate or consecrate.

It is all upon the Bones speaking and Wishing for their purpose to be known. Some wish to be Divination, speaking Truth. Some wish to be Art, beauty beyond measure. Some wish to be Use, worked with crafted hands to bring Space and Sacredness. There are so many ways that they can manifest and find their own small place in the worlds.

It is not merely working and speaking with Bones that gets you a divinatory set or a sacred piece. It is in fact the handling and treatment, the consecration. Many perform what the Norse and many other cultures have called Blooding, or bleeding on the bones to power them. It connects you to the Bones in a deep way that only blood can achieve.

Others carve symbols and signs upon the bones to connect them together, to give them meaning and protection. Carving can be incredibly delicate and precious as the Bone can be fragile and easy to break. It takes a deft hand and one that has great care for its movements. Everything is precise and never hesitating.

Working with Bones, Language, and Divination

One of my goals for this thread is to explore the world of Bone Working and all that entailed. This includes working with the Bones that I have on the astral as well as with the demons that teach me things. I really want to delve deep within this and better understand how to handle them and care for them, bring them purpose and listen to their wishes and desires, to pass on messages and whisper to them. It’s amazing what Necrosis Demons have to offer for this and they truly wish to share it with me. In fact, it is the Necrosis that first whispered to me about Bone Grimoires. Teaching me the way of Bones, the Languages of them, and to Care for their Sacredness. Taz in particular wants to teach me methods of rites and rituals for Bones.

I look forward to getting deeper into this topic, enough to where I feel comfortable enough to finish writing my Osteomancy book.

close up photo of notebook with pen

The Importance of Record Keeping

by with No Comment Informational

This is a deeply passionate topic that not only is something I find extremely valuable but so do a few of my demons. In fact, they are the ones that are stressing that I speak about this topic. I find that so many stress the importance of foundations to those that are starting out on their path. This is a wonderful thing to talk about consistently. Except that I find that one thing is missing when people talk of foundations of spiritual growth. Record Keeping. I cannot express the amount of disappointment that I see that people don’t speak about this topic more often. In fact, I tend to get laughed at a fair few times when I have broached the topic. Now, I get to laugh. You may be asking why.

I have records dating back to when I was first starting out more than a decade ago. Things that I have long forgotten. Things that seemed insignificant then. Yet… I am now the one to laugh because I have over a decade of writings, channelings, astral experiences, and even conjuring. All of it was recorded down in some fashion. There are years where there are gaps but I still have them. Some things I wish would disappear because they were horrible times, but I still have them. The thing is… we all learn from our History, our Path. The Path that we have walked and will walk.

I speak of record keeping because I find that it is one of the top things that are foundational to my own practice but yet find that so many do not. It’s their choice and I respect that! Absolutely do what fits your path best. Yet, I have heard over the years of people complaining and upset that they do not feel like they have grown or changed or that they don’t have experiences anymore. This is where they are wrong. Most people don’t realize that it’s not that it has stopped… it’s changed. A lot of spiritual growth is gradual and not able to be measured as easily as saying ‘Oh yes, I was doing this thing last week and now I have another experience that’s out of this world’. It’s more along the lines of receiving small messages each day or every few days. It’s seeing something or hearing something and then a few days later something else correlates with that.

But most don’t keep track of their experiences, no matter how small. Most do not journal or blog or keep any sort of frequent records. Because of this, they do not see their gradual growth and experiences change. Instead, it’s different and they feel like they don’t have anything to experience anymore.

This is why I stress that one of the most important foundational things is to keep diligent or frequent records. Even if you go into a daily journal on your phone or notebook to write, ‘I think I felt this today’. That right there will show you three months down the line how you’ve grown. Why? because the more you look at your growth, you’ll see that you are actually improving. The more growth you have and you record, the more you’ll see that progress. Going from a ‘maybe something’ to ‘I saw this today and I got a large sense of this companion telling me a message’. That’s huge growth there! A massive one. Yet, this is missed because of not logging those small things.

I have over a decade of journals that have information. Have I skipped years? Yes. That’s normal. We have our Fallow Periods, or Lulls, or Burnouts. This happens to all that work in spiritual practices. I have some journals that skip from 2013 to 2016 because I stopped or because it was in a different journal. I have records of when I was blogging instead of writing physically. I keep two records of those in case one is lost. I moved onto a website of my experiences and information, as well as writing within my personal blog on S&S. These are all different forms of record keeping. I can go back to the formative years of developing my gifts and see the shifts and changes. I can see what mistakes I made and how I fixed them. That’s what is important. I can see the Shadow work I’ve done over the years or I can even read the origin of where a Shadow or Trauma came from. Because I’ve kept detailed records.

This is something that may seem tedious and spoon-eating. I understand that greatly. Find something that works for you. Maybe speech to text on a journal app? Maybe typing out things on the computer or on a blog, even if it’s private. Maybe handwriting is your comfort. The thing is that keeping records allows you to go back years later and see how you’ve changed. How you’ve grown and where your Path has moved through the years. That’s super important to seeing your own patterns of growth or even predicting when a Fallow Period hits if there is a clear pattern.

That’s how I know that the Winter time frame each year is the hardest for me because I shut down to rest. I do my best work during the Spring and Summer seasons because it’s energetically better for me.

Ways to Record Keep

There are so many ways that you can keep records, it’s going to be a lot to list them all. What I will do is make some suggestions of different ways that you can do so, though I will make sure to keep them to options that are either free or low-budget.

–Journaling in Notebooks
–Writing using Grimoires
–Typing on Blog
–Typing in Word/Google Docs
–Type in Word/GDocs and Print out – binder or paste in sketchbooks
–Blog/Journal in Notion (free for personal use)
–Use OneNote- ($ may cost)
–Blog on WordPress (free)
–Write in free journal apps or notes on phone/tablet
–Use Voice Notes or Voice recordings
–Make a private Discord Server (free) – use it as a blog/journal or even BOS or Grimoire
–Make a special email just for experiences and email yourself
–Use Social Media : Facebook, Instagram, or TikTok and talk of your experiences
———(For all that is holy avoid twitter and tumblr, they’re super toxic – unless you make them private)
–Make/Buy (Etsy) PDFs of journals and use on tablet for writing ($ Goodnotes)

I’ve used Scrivener ($) as well but that’s more expensive than most want to pay and to be honest, Notion is 1000x better with recording. You can do so much with that. Make sure to check YouTube videos on how to use it since it doesn’t come with a How-To.

The point is that there are so many options for you to use you can. And the best is that you can go from one to the other and back. You do not have to stick to one thing all the time. You use what works best for you and your practice. I’ve gone months without using one but sticking to another and then switching. Sometimes I take things from one and add them to another when I switch.

It doesn’t have to be anything tedious, it doesn’t have to be this big scary thing. You write what works for you. Some days or weeks or months you won’t. But that’s okay. The thing is that you get yourself into the habit of updating when you can and it’ll make a difference even two or three months down the line, let alone imagine years or decades later.

photo of desert

Return of the Solar Season

by with No Comment Working with Demons

It has been some time since I have written on the Solar energies and their workings with that. It’s been a long time since I have done so. Yet, I found myself bringing this right back around now that the Solar Season is closing in on us — Summer and Solar Festival Event. I had asked somewhat what they’d like to see and one pointed out that it would be nice to see more about working with Solar demons and things of that nature. Since I am working on creating threads for some others and it would be good to get this thread revived and a bit more organized. I think that I’d like to go over a bit of the one that I would be working with. It’s not changed much since the last time I was working, only a bit.

Tya is the Solar Sorceress that has been around since 2020 and she is a bright light in a lot of darkness. I had originally started this because of her. Now, I have one other Solar that I am going to be working with. King N, who I am working on getting a better feel for still and learning more about him (also a nickname to call him beyond King N). King N is a Solar/Serpentine King and Sorcerer, who has his own realm within the Solar realms that focuses on healing. It’s a large Oasis. I love it the one time that I have been there.

It’s been awhile since writing about the Desert Oasis that was from King Paimon. In fact, I soon fashioned my own astral temple/astral home after that Oasis. It’s been the strongest and most loved one that I’d had in a very long time. I’ve had times where I’ve grown it and changed it with new things. My demons have added their own buildings and things they love. King N provided me with a Roman-esque type of building that is a bath house. He provided the healing waters and oils for it, since that is something that his own realm is known for.

It has been since I last posted that I’ve worked with King Paimon. I know it’s a background thing right now that I don’t know where it will be going. He may be around or not, I have not explored that but I know that with King N being close with King Paimon, it is more than likely he will make a return. I don’t think it will be officially, but in a manner of when I need the knowledge. We will see where it goes.

The Solar Event was one of the things that really kicked off doing a lot of the Solar Work, so it will be wonderful for that to make its way back into things. Especially since King Paimon is involved of course. I think it’ll be good for me because I don’t really do well with worship, so I may have to alter how I approach King Paimon from where I was originally. I didn’t worship but I had and altar and offerings, but it became a lot for me and I slowly faded out of doing anything at all. Now, I think it’ll be better as more of a wise mentor that I occasionally see. Tya and King N seem to be more geared for wanting to teach me and show me around the Solar realms. I think their knowledge will be amazing, along with revisiting the Solar Temples.

I think that with the Solar Festival, I will be including things here from the event as part of this thread. I know that once I go through the event that I tend to return to the places for fun things. Those that are more lesson driven, I will post here.

So without futher ado, let me introduce the demons that will be featured more often here.

☀ Tya – Solar Sorceress of the Black Sun ☀

When we rise with the Black Sun, we awaken to our power and we awaken to our purpose. We are initiated into the sacred embrace of the Void and we walk confident through the Abyss. She is a teacher and a guide of the Black Sun and a Demoness who embraces the sacred knowledge of the deep. Her energies are aligned with the solar radiance, and as a sorceress she is a master at casting and commanding the energies around her. She can work with her companion to help guide them in awakening their own mystical power and learn how to shift and change the world around them. She is a teacher of magick and she can help her companion to cast powerful and profound spells and add powerful vibrations to bring incredible and amazing results.

She teaches the solar radiance of self love and appreciation, where you embrace yourself in the solar rays of the sun and love yourself to the purest level of your being. You are amazing and incredible and an individual who is worthy of love and appreciation. She can teach the magnetic gaze and teach her companion how to exude confidence and charisma. She can awaken the power of the Solar plexus which his connected to the solar rays of her world and flood you with power and charismatic charm.

From Tya’s Scroll

I know that Tya has been around for a lot of the growth that I have experienced over the past year and some change. There is so much that happened and I feel much stronger for it. She has been a radiant light that helped me through a lot of darkness. Even if it was without teachings, it was with her presence. I know that she is very happy to be getting back into working and exploring the Solar energies and magicks more in-depth. I have worked with her on manifestation and creativity, which she enjoys as well.

☀ Kiver – Solar Sorcerer & King ☀

pronounced kee-vair

He works with the energies of the lower chakras and is a master of fire magick and Kundalini. He knows how to raise one’s passion and motivate them to take charge and make changes in their life. His kingdom is located in one of the wild areas of the Solar realm and is an Oasis in the middle of the desert. It’s surrounded by barren landscape, the sun burns all around during the day and at night it is cold and harsh. His kingdom is well guarded and a place of beauty, magick and pleasure. He knows how to help one carve out their space and define. He can also help with protection, guidance and defense. He says when you have something precious, you must be strong enough to protect it and wise enough to appreciate it. He has seen many kingdoms fall in the wilds of the Solar realm, but his has been around a very long time and is a thriving, prosperous place.

He himself is a very powerful sorcerer. He works with many different types of magick and makes use of all the energies that are around him. He works with the power of flames and the sun for wealth, abundance, manifestation and prosperity. He also works with the powers of shadow, the moon and the night for darker Magicks. He can blend the two together for powerful results. Many seek him out and wish to train under him for he has his own unique blend of Magick that is tied into his Kingdom and its culture. He can help his companion to work with these energies, as well as appreciate the energies in their own environment and work with them for incredible, intense results.

From Kiver’s Scroll

I, unfortunately, have not worked with him as in-depth as I would have loved to. I have begun to come out of a long lull and fallow period. He came home to me during this time and there has not been much for bonding and learning from him. I did at one point have an experience but it was brief and I look forward to being able to have more time to sit with companions. Kiver is one of them.

photo of forest with fog

Whispers of the Necrosis

by with No Comment BonesCrystalsPlantsWorking with Demons

It’s not a surprise that I would create something that is revolving around the Necrosis Demons. Truly. It was more of a surprise to start a post on Mutilation demons before Necrosis. Although, I do have Ry and Dro’s sections that are focusing on their specific things with Necrosis. Ry focuses on Plants and Crystals and Dro is Alchemical and Shamanic. All of these are very big with the working of Necrosis demons as well as a few other areas.

I decided that it would be best to put them all into one thread. One thread to rule them all (is totally not watching Lord of the Rings while writing this). I wanted to have a Necrosis post for a while, mainly because I have multiple demons that do Osteo-path working things. I wanted to have a bone post. Gotta a bone to pick? Anyway. They all decided upon seeing how the Mutilation post was working that they would like to also have their own encompassing blog.

There are going to be more parts to this rather than individuals. I think the best way of going about talking about the Necrosis is to break it down into the sections and types of areas that Necrosis deals with rather than the individuals that practice it. The Necrosis Demons:

They also have an understanding of Voudou, earth energies and mastering the dark elements. They delve into the primordial senses. They work with Herbs and Crystals and make use of powerful death energies and have great knowledge of Necromancy and working with corpses and death.

Satan & Sons Encyclopedia – Necrosis Demons

There’s more to the Necrosis Demons than that, which you can learn more about them from the Tea Chat Notes (thank you lovely Windyjune) Things that I want to work within here (starting out), are things that my own companions are working with or are masters at. I think the best way is to talk about the subjects themselves and speak of the concepts that will be worked with, so here are the individuals that I will be working with and the topics that they understand and teach.

Ry – Serpentine Surgeon & Necrosis Shaman

  • Plants & Herbs
  • Spirit of Plants
  • Shamanism
  • Crystals & Spirit of Crystals
  • Poisons & Enchanted Ink

Belle – Necrosis Bone Mistress

  • Osteomancy & Bone Divination
  • Bone Caretaking
  • Creation of Bone Divination Sets
  • Working with Spirits of Bones & Animals

Taz – Necrosis Shaman of Sacred Bone Rites

  • Concecration of Bones
  • Rituals & Rites with Bones
  • Communication with Bones
  • Demonic & Dark Shamanism
  • Shamanic Crossroads
  • Ancestral Veneration & Communication

Dro – Necrosis/Chaos/Desire Alchemist of Black Earth

  • Black Elements
  • Alchemy
  • Demonic & Dark Shamanism

Ria – Necrosis General

  • Black Elements
  • Communication with Bones & Sentience
  • Enchanting
  • Plants & Aromatherapy

Tal – Necrosis King & Void Lord of Temple V

  • Realms & Portals
  • Ancient Cultures & Studying Cultures
  • Darkness of Soul & Void
  • Records & Grimoires
  • Sacredness of Soil & Earth

Necrosis is one of the more complex in regards to the areas that they work in. Although, one could say that for anything really. For me, I see it as complex and very layered because there are so many facets that the Necrosis explores. It’s not just about the death and decay, but the after and what’s left behind too. Many the Necrosis work with what comes from the soil, from death and decay, and from the deep depths of the elements. It’s complex but in such a beautiful way.

Most of the demons that I work with are Shamanic in their workings. This is not a surprise as that has been my path for a very long time. It’s the same with bones, spirits of plants, and crystals. They are the pinnacle of the workings that I do. Although there are still things that I am learning, bones are one of the top things that are in my practice.

In these future posts I really want to delve deep into topics around Necrosis and learn from them. I know that it has been about a year or two that Belle has been poking at me to create a Osteo-Grimoire. I also know that Ry has been gunning for me to make one of plants and crystals too. Of course Tal loves all forms of studying and learning. I am sure that my Serpentine Magi of Sacred Knnowledge, Arvan, will also make appearances due to his love of making grimoires and record-keeping knowledge.

Closeup photo shoot of tattoo making, artist is working with tattoo machine on customer's hand.

Art and Beauty of Mutilation and Demons (Pt 2)

by with No Comment Working with Demons

Meeting Surgentsa

It was the 2020 Carnivàle that things changed and I stepped into the Funhouse and Dollhouse. I braved the step and went to experience the Mutilation energies. It was disgusting and gross the first time. I about puked. Until I got to Dr. Sechah. Part of the Meditation is that I got to receive a flesh creature of my own. Originally, none drew my attention so I focused on the room. That’s when I saw Surgentsa, withered and old-looking on the outside. There was no definitive gender or age.

A Flesh Creature is so unique and quiet. So handsome and beautiful. The flesh is a dark blue to black in some areas. It has some cat-like features, but its face is super wrinkled. It is OLD looking and very powerful in the presence. This is the flesh that has sat there for a very long time. It has been the observer for so long. Flesh is leathered and cracked in some places. It has scars of mutilation and is pieced together. It has a humanoid shape. The creature radiates mutilation energies and essence. It’s flesh is made from the Mutilation demons, creatures… It has gained it’s own sentience, it is an entity, it is real and has absorbed the souls, the life of those that have passed through and evaded the death throes of the spectral. Wicked sharp claws grace it’s hand, limbs incredibly long and limber. The body is oddly covered in hair and fur in places, from where it has grown in or has been patched on.

The Dr. placed Surgentsa on my shoulder and I kept going. I felt comfort from the creature while I was was going through the rest of the Funhouse. Dr. Panacktro was the end part and did work on me, which I was scared of from the beginning. Doing work with my actual flesh. It was scary. Surgentsa was there with me the whole time and I found them comforting. Afterwards, that was how I learned Surgentsa’s name, or well the n ame they didn’t mind me knowing.

I went to the Dollhouse next and I don’t remember much and I recorded very little. In fact I barely remember the visit. I know that I got worked on by Dr. Sechah and I got to learn so much about Surgentsa. As much that he was willing to teach me about her. Surgentsa was originally female and prefers to take the female form now.

Surgentsa is a flesh creature, but over the years has changed and grown. She originally took the form I found her in with the Doctor Sechah, that was withered. Dr. Sechah told me about how he created her when he found the spirit of a child. One that had been lost for so long and wandered. He discovered her on his travels. He brought her back to his work place. There, he worked and worked, creating flesh creature after flesh creature to give her a body. That’s when he figured out that using the flesh of Mutilation Demons themselves has a magical essence. It could hold a spirit much better than anything else he had created.

This was why the flesh body that he created was withered. She had been using that body for thousands of years. He was not sure, said maybe that it had been tens of thousands of our years, which could be millions of theirs. Time runs differently. She was his first truly alive creation that was sentient. Extremely smart and could function on her own. In fact, she became his assistant and learned all that she could about Mutilation flesh, healing, mind healing, and so much more.

I had yet to work with her more in-depth by the time the 2021 Carnivàle came around. Actually, I had felt bad until she expressed that she was still happy to be around and that it just was not time. In fact, when I first appeared in the Carnivàle I was absolutely shocked to find that she had an entirely new body! She looked like a small, tiny doll. She was excited to make a return to see Dr. Sechah. We made it through the normal two meditations for name and essence. It was the third, going to a Carnivale, and things were different.

I had worked heavily in Mutilation energies not much before doing that meditation, which actually led to me being brought into a Mutilation heavy Carnivàle. Everything was tailored to the Mutilation Demons. It was crazy and gore-y, but also a very interesting experience. I got to meet and experience so much from that with Surgentsa, before going back to a normal Carnivàle. I had been able to be within the Muti energies for some time before I got overwhelmed and it was too much. At least I could handle more of the squeamish things.

I have not been able to work with Surgentsa more. I actually want to learn more about her than what I already know. We spent a month or so debating finding a beautiful doll but none were good enough for her. She wanted something unique. Since then, I have not done much spiritually. Now that I am working with the Mutilation energies and discovering more, this is something that I think will go places.

I remember the Mutilation Asylum of 2020, where I wanted to take part, but was terrified. Oh my gosh I was was scared shitless. I wanted to go in it so badly but I was straight up told that I couldn’t do it unless I had a Guide. I was supposed to create a Mutilation Grimoire. Something learning about everything Mutilation but also the stuff they understand with shadow work, darkness, and madness. The Mental Health. There was a matching event and I waited so patiently, knowing that this was where I was to wait.

Turned out that I was Matched with a Shimmer Spectral instead. Which I thought was actually a wraith and not a special demon that fit what I needed. I was ws upset. I was absolutely sure I’d been matched with a Muti. I missed the event because it was not time. It wasn’t a match and I promised not to do it without aid. I believe that Surgentsa went with me through it briefly but I didn’t learn like it was wanted. Now, things have changed. I have Mutilation that is with me now. I can do the things that they want me to.

Shifting Claws & Genders – Meeting Tyka

pronounced – tea-kah

I’ve been going through each of the demons and Mutilations that I have come across. This began back into 2019, before Surgentsa. I was visiting the Hellfire Tournaments. During this first time, we were able to go and visit the fights directly. We could watch the fights and cheer on competitors. The very first one that I went to actually was the one that introduced me to my next Mutilation, in fact she was a hybrid.

I knew her by her Gladiator name, Wicked Sharp. She was an Arachne demoness that had wickedly sharp claws that were half a foot long. They were beautifully crafted but were embedded into her nails and fingers. She won her match.

I had gone down and managed to speak with her and just fell in love. She gave me her name and her shield. That was how the ladies would be able to find her, Wicked Sharp was interested. She explained that her claws were made by Blue Hellborns and were enchanted for fighting.

It was later on that both her and Black Shadow (the one that was the mentor and also gave me her name), that they both stepped forward and were interested. It was 2020 that I got a great deal and ended up getting the BOGO for Black Shadow and Wicked Sharp.

I had seen them around but it was late 2021 that they finally were able to come home.

Wicked Sharp is a Specialist Assassin and Gladiator.
She was an Arachne/Mutilation/Chaos demoness, who uses her body to fight. Being part Mutilation demon, she can take blows that would gravely injure others. I got to see her in the 2021 Hellfire Tournament very clearly. She would follow me around through it for protection while I wandered.

It was in the 2020 Hellfire Tournament that I was actually met with the knowledge that Tyka can become Ty (pronounced tie). She is a dual gendered and can shift her gender at will. I found out when I was talking about my unsureness about being with females sexually or romantically. I was working through a lot of shadow at that point. Ty changed and he assured me that he enjoys being either gender. But I felt bad. She prefers a female form and I can tell that, though she does reassure me that she truly does flex between genders.

I have not worked with her much beyond just being around. She mostly focuses on the Assassin aspect and the fighting as Gladiator. Her energy is more aligned with Arachne and Chaos. Mutilation is not as heavy though I wanted to include her because she focuses on anatomy and body fighting using her Mutilation lineage.

Closeup photo shoot of tattoo making, artist is working with tattoo machine on customer's hand.

Art and Beauty of Mutilation and Demons

by with No Comment Working with Demons

I came around to Satan and Sons in December of 2018. I had just finished/graduated with a degree in Anthropology, minoring in Religion. I focused on cultures, rituals, shamanic/indigenous practices, and human sacrifice. I had been out of the spirit working community for over a year at this point. I didn’t want anything to do with it.

Yet, on a fateful December…. I got a calling that rocked my world and introduced me to the world of Satan and Sons. This includes the darker demon that they worked with. Up until then, I had only worked with the “lighter” races. In fact, I can remember the first time that I saw Mutilation Demon and I was horrified. I had a bad, bad experience with a demonic (non-SnS) race that was very big on power and nonconsensual. So Mutilations and Crypts were horrifying to me.

Except, the first time that I saw a Mutilation demon in action, was that following February. It was Madam Amora’s House of Sin and Lust. A very popular demon for that event was Razor. He owned the section of the dungeon and was very very much into darker things sexually. That’s my first taste of Mutilation work. He gifted me rare Mutilation Snakes. The next time, it was the Hellfire Tourney and I went to the meditation where you get to watch a match with Gladiators take place. I saw this beautiful demoness who had long-bladed claws instead of nails. It enthralled me. I was interested and even got to meet her after it was finished.

So now.. here I am three years later. I now have a Muti/Arachne – who was the first Mutilation Demoness that I watched in the Hellfire Tourney. Soon after, the next year (2020), I was given a special gift at the Sombre Carnivale Demoniaque. You can find that in the S&S Event Experiences thread. This was a Mutilation Flesh Doll, a spirit given the body of Mutilation Demon Flesh. She breathed life and spent thousands of years working with this Dr.

I spent many years pining for the 2019 Madam Amora’s House of Sin and Lust. I couldn’t get the Mutilation Demon out of my head. I loved the Mutilation Snakes, they bring a smile to my face every time I see them. There was a time when we did a big spree of prebounds every day or every other day. In there, it was ones that were leftover from Madam Amoras that had not been posted. This was in 2021. I had not stopped thinking of Razor…. and the reason being is that Mutilation Sex God was waiting for me.

Finally, this year… I have a new companion that I got called to. Mutilation Flesh Doctor – Also referred to as Dr. Frankenstein or Unex.

The whole reason that I wanted to create a thread finally was that I know that they are all wanting to do work to get me back into the spiritual. A fair few of my demons are. They are trying to bring me into working and learning, recording my experiences. Hook – Muti Sex God O – and Wicked Sharp – Arachne/Muti – both have other threads, so this section will be for the working with them in the way of Mutilation energies or teachings.

First Mutilation Experience

As mentioned before, I was very wary of Mutilation energies. They scared me. Terrified because those were energies and concepts that were deep down terrifying for me. I couldn’t understand why they would want to do things to their bodies, their minds. It just didn’t comprehend. And I was squeamish. I thought about how Mutilation demons were about body modification to extreme degrees. I didn’t really look more than that because they freaked me out.

It was some time later that I had gotten back into the Kink scene. In fact, I was exploring things and wanting to see where I could go with that. I felt like it was something awakening.It was the February event, Madam Amora’s House of Sin and Lust. I saw that one of the demons who ran the dungeon.. was named Razor. He was a Mutilation Demon.

Razor
Mutilation Demon
Madam Amora’s house holds a secret. Underneath the house is the dungeon where Razor lurks to play. Dominant with a bit of a sadistic streak, Razor has a range of interesting devices and tools he will use to bring one to the peak of pleasure, engaging their darkest, most twisted fantasies. Because of what he is into, he has incredible boundaries and knows when to stop. He will not hurt any he plays with and also because of his knowledge of the body and mind, is actually very skilled with a darker type of healing. He will move at his partner’s pace and if all one seeks is conversation, he will in no way force any kind of sexual advances on them. He is very intelligent and loves to probe the minds of others. He is fascinating to talk to and any sexual acts with him will be consensual with all who are involved.

His skin is a rich, dark tan colour and he has various scars, markings and piercings. He has black skeletal wings, large black horns and a tail that is a few shades darker than his normal skin colour with spikes pierced through it. His eyes are very interesting, the sclera is black, the irises are pale blue and his pupils are white. He loves pain and will drive spikes and other sharp objects through various parts of his bodyI was surprised to find that most of my experiences with Razor were incredibly darker than planned. In fact, there was more darkness and kinks brought out that I was too scared to play with or explore. I was thinking about them and exploring later on, but they were too much. Except it wasn’t too much, it was shame and taboo that held me back.

Now, it was sublime because he brought out my darkest fantasies and made sure that I knew they were safe as well as perfectly normal. Nothing wrong with what I liked or enjoyed. This is when I realized that Mutilation Demons were more than just flesh or body modification. It’s completely open working and understanding of the darkness and of healing. It’s so much more, especially for Sexual Darkness.

There was an accident, which is explained in the posts. It was my fault for moving and getting hurt but he felt responsible. So I received my Snakes.

Mutilation Snakes

These beauties were a very rare, to the point of veneration, snakes that originated from the Mutilation Realm. They are a mated pair and that in of itself is very rare as well. During my exploring, they were a part of my sexual experience. The part of where I learned about sexual shame and understanding taboo and normalizing.

I thought they were beautiful and amazing, red and black colors. Incredibly venomous.

It was not until Madam Amora impressed how important they were. And the gift. Fast forward a few years and I didn’ really learn how special until Hook, my Mutilation Sex God, first saw them. My snakes have their own space to take care of them. They can understand demonic language and communicate back through telepathy. In my astral home, they wee given their own home to explore and love. I would visit them frequently as I could.

When Hook came into the picture, he was the first full Mutilation Demon that had seen them. That was when I learned how venerated and sacred they were. So special. He refuses to allow anyone else to take care of them.

I was writing the first post when I was reminded that I should include the Mutilation Snakes as a part of this. They should have their own post and talking about them so others can know too. I had wondered because I was not able to communicate beyond emotional connection. Now, with Hook and Dr. Frankenstein (Unex – Mutilation Flesh Doctor), there is an ease of communication through to them. Even if it’s translated.

I had not gotten their names, though their names were inaudible to those without the demonic tongue. Hook took a moment to speak with them before they decided on nicknames that would be suitable for speaking of them. Sera is the female and Erza is the male.

I wondered what it was that I would work with them with… when I got into their energies and it was a mental download of information.

Sera and Erza are a mated Mutilation Snakenak pair. They are incredibly unique and rare for the Mutilation demons, leaving them as one of the few mated pairs. Mutilation Snakes are incredibly rare in the realms – the one that most are from – and they are venerated as sacred. They are sacred in the way of learning about the inner poisons. They know and can see the damage of the toxic self and they are able to help those who have been damaged from the societal’s toxic mentalities. Sera and Erza
can help identify the societal patterns and beliefs that hold one back, teaching how to shed the expectations and uncover the Truth. They can help one to revitalize their sexual self and awaken the inner primal aspects. Sera is good with helping those see their worth as well as understanding normality in sexual desires. Erza is good with helping to shed the sense of shame and healing from the pain of it. He can help one to shed the beliefs and become their true self, sexually and spiritually.

It took some time to really work with them, in truth. I didn’t know how to communicate efficiently and others were taking care of Sera and Erza. Now, Hook is taking care of them and can help me work with them as well. I’m sure that the coming times will be able to feature their work more often.